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Tem verdade que é mentira, tem mentira que é verdade / depende do contador, depende da necessidade / só numa coisa eu me fio / tudo na vida é passagem / passa eu passa você e vai passar essa maldade / na terra onde nasci, mano meu, destruíram amizades / não se senta mais na mesa com irmão nem com o compadre / nesse mundo enganador, colega veio, só o tempo faz milagre / Camaradinha ...

Voice: Iê faca de corta
Choir: Iê faca de corta, camará
Voice: Iê ferro de engomar
Choir: Iê ferro de engomar, camará ...

The lyric of the song "Mundo Enganador" its not just a fiction, but inspired by real events passed in my life from the 2016 Coup D'Etat in Brazil.

But far beyond my personal history, thousands of friendships and family ties were destroyed in that process. In fact, many say that the mask of a "tropical country, blessed by God and beautiful by nature" needed to fall to get to the surface what was hiding underneath, something not very pleasant to smell.

For this, it is enough to observe what has been changing in Brazil since the governments of Michel Temer and just over a year with the former military Captain Bolsonaro or popularly know as "Bozo".

Himself a disaster on many levels as we know.

However, simplifying or reducing the recent Brazilian political conjuncture, has never been my intention with this song.

The verses of Mundo Enganador are just a lament and a register that mixes history, pain and hope as some capoeira songs often manages to do.

I wish that soon we willbe able to reactivate those friendships which have been destroyed in recent years in Brazil.

lyrics

Mundo Enganador
(Author: Mestre Carlo Alexandre)

Tem verdade que é mentira, tem mentira que é verdade / depende do contador, depende da necessidade / só numa coisa eu me fio / tudo na vida é passagem / passa eu passa você e vai passar essa maldade / na terra onde nasci, mano meu, destruíram amizades / não se senta mais na mesa com irmão nem com o compadre / nesse mundo enganador, colega veio, só o tempo faz milagre / Camaradinha ...

Voice: Iê faca de corta
Choir: Iê faca de corta, camará
Voice: Iê ferro de engomar
Choir: Iê ferro de engomar, camará
Voice: Iê galo cantô
Choir: Iê galo cantô, camará
Voice: Iê co-co-ro-cô
Choir: Iê co-co-ro-cô, camará
Voice: Iê volta do mundo
Choir: Iê volta do mundo, camará
Voice: Iê que o mundo deu
Choir: Iê que o mundo deu, camará
Voice: Iê que o mundo dá
Choir: Iê que o mundo dá, camará


Eu avisei
(Author: Mestre Carlo Alexandre)

Voice: Eu avisei, mandei te falar / Você não me ouve, não quis escutar
Choir: Eu avisei, mandei te falar
Voice: Mandei te falar, eu mandei te falar
Choir: Eu avisei, mandei te falar
Voice: Na volta do mundo, que o mundo dá
Choir: Eu avisei, mandei te falar
Voice: Nossa Senhora, Bom Jesus de Mariá
Choir: Eu avisei, mandei te falar

credits

from Guarnicê - Capoeira Protest, released March 2, 2020
Voice - Carlo Alexandre Teixeira
Choir - Clare Davis, Diana Sabogal, Izaskun Sarabia, Kath Conway, Kezia Lavan, Leo Kay, John Gray, Rachel Holmes, Tincho, Miguel Santos and Victoria Scarborough

Instrumental:
Berimbau Gunga - Carlo Alexandre,
Berimbau Médio - Alex Erwin, Berimbau
Viola - Miguel Santos
Atabaque e apito - Pedro Lima

Pandeiros - Rachel Holmes and Mascote
Agogô - Kezia Lavan
Reco-reco - Nyan Storey

______

Guarnicê Project conception: Carlo Alexandre Teixeira
Musical director: Pedro Lima, Artistic director: Délcio Teobaldo,
Creative consultant: Leo Kay, Recorded and Produced by Marc Lee
Brown, Co production and additional instrumentation by Chris
Franck, Recording assistant: Joshua Gaskin Brown
Recording @ Raw Material Music & Média Education
Thank you for the suppourt of Raw Material

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Capoeira & Brazilian Experimental London, UK

I was born in Rio de Janeiro, I started in capoeira when I was 16 years old. My artistic and creative training goes mainly through this art form. From there I learned music, film and theatre. Since 1996 I have been going back and forth from Brazil to the United Kingdom, and recently to Mexico, where I currently live. I worked in slums in Rio, theatre in London and productions in Asia and Scotland. ... more

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